A dark threat looms vanilla

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Night Shyamalan’s The Sixth Sense (1999).

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Although seemingly traditional narratives still rivet-one need think only of such films as The Others (2001), which takes a classic haunted house plot, and only belatedly reveals its reverse focalization-today’s tales of haunting are acutely aware of the haunted house being the psyche itself, as evidenced in popular film by M.

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